SHOWS
DIFFERENT SHOWS, DIFFERENT PROBLEMS.
A commencement and a headline set have almost nothing in common except the truck they arrive in. Pick what you’re producing and we’ll show you how we build it — what ships, who crews it, and what the day looks like.
Concerts & Festivals
Rider-compliant line arrays, fast changeovers between sets, and coverage that reaches the back of the field without waking the property line.
Corporate & Conference
Keynotes, general sessions, and awards nights. An A1 at front of house and an A2 backstage on every room, with spare packs built before doors.
Action Sports
Surf, skate, and BMX. Multi-zone sites, announce positions that cut through wind and crowd, and crews who stay on site through the holds and lay days.
Graduations
Commencements where a stadium full of families came to hear one name out of two thousand. Back-to-back ceremonies, an engineer at the console for every one.
Theaters
Musicals, touring productions, and performing arts centers. Cast wireless at real channel counts, snapshots built cue by cue, and rigs placed where the room allows.
Private Events
Brand activations, private concerts, studio lot events, and tasting festivals. Guest lists instead of ticket sales, but built to the same rider as a headline set.
Not on the list?
Most shows are a mix of two of these.
Send the date, the venue, and roughly how many people are coming. You’ll hear back with a line-by-line scope — usually same day.