Over 50 Years Moving the Needle™
Live sound for festivals, corporate events, and action sports across Southern California.
SANTA ANA, CALIFORNIA — SINCE 1972
Years in live sound
Audience sizes covered
Inventory in Santa Ana, not sub-rented
Trucked from one warehouse
Concerts & Festivals
Rider-compliant rigs, fast changeovers, coverage to the back of the field.
Corporate & Conference
Keynotes and general sessions. A1 and A2 on every room, spares within reach.
Action Sports
Surf, skate, and BMX. Multi-zone sites, contest windows, crews who stay through the holds.
Graduations
Every family hears their graduate’s name. Back-to-back ceremonies, one shot each.
Theaters
Musicals, residencies, performing arts centers. Cast wireless and rooms that fight you.
Private Events
Brand activations, private concerts, studio lots, tasting festivals. Built like a show.
Authorized dealer
We sell the same gear we put on our own shows.
Consoles, wireless, arrays, and amplification — specified by people who load it in and out every week.
How we work
Anyone can rent you boxes.
The difference shows up on the day — whether the rig was designed for your room, whether the tech has hung one there before, and whether the number you were quoted is the number you pay.
The inventory is ours
Arrays, subs, consoles, and wireless live in our Santa Ana warehouse. Nothing gets sub-rented at the last minute from whoever had it free, and nothing arrives that our techs haven’t worked on before.
Our crews, not a labor call
The engineers and system techs on your show work here. They’ve hung rigs in these venues, worked under touring engineers, and know where the low end goes strange in that room.
Quoted line by line
No “full production package” with a single number at the bottom. You get a written scope you can compare against anyone else’s, and anything beyond it gets priced before we load the truck.
Selected work
Fifty years of shows is fifty years of problems already solved.
Amphitheater
Jinjer — Glen Helen Amphitheater
The roof at Glen Helen ends a long way before the audience does. Main hangs, side hangs, and outfills built to carry a metal set past the covered seats and across open lawn without the low end folding up at the back.
Tasting festival
The Taste — Paramount Studios
A backlot standing set with no house system and nowhere to fly anything. Distributed zones down the facades held levels even from the entry banner to the far end of the street, with nothing in frame that didn’t belong there.
Action sports
US Open of Surfing — Huntington Beach
The site starts at the pier and keeps going down the sand. Announce, competitor, and spectator zones all covered, with heats called on conditions instead of a run sheet — so the system stays up from first light to last call.
Three ways to work with us
Book the show, rent the rig, or buy the gear.
Full service
We design the system, truck it, crew it, and stay with it through strike. One point of contact from advance to load-out.
Request a quoteDry rentals
Arrays, consoles, wireless, and amplification out of our Santa Ana warehouse, prepped and tested before it leaves the dock.
See rentalsGear sales
Authorized dealer for the brands above. Tell us the room and the budget and we’ll spec it, not upsell it.
Buy gear
Next step
Tell us about the show. We’ll send back a real number.
Date, venue, expected attendance, and the rider if you have one. You’ll hear back with a line-by-line scope — usually same day.