PRIVATE EVENTS
PRIVATE, AND BUILT LIKE A SHOW.
Tasting festivals, private concerts, studio lot events, and invitation-only parties across Southern California. Guest lists instead of ticket sales, but the same production standard we bring to a headline set — and the same crew.
50+
YEARS IN LIVE AUDIO
LA to San Diego
STUDIOS, VENUES, AND PRIVATE PROPERTY
Artist-ready
BUILT TO TOURING RIDERS
Owned
INVENTORY IN SANTA ANA
No tickets sold, no margin for error either.
SYSTEMS BY EVENT
A private event has the production demands of a public one and none of the forgiveness. There's no second night, the guest list is the client's reputation, and the talent showing up has the same rider they'd have at an arena. We build accordingly.
Tasting festivals & brand events
Multi-day builds across a footprint of stages, demo kitchens, and activations — each zone needing its own coverage and its own level, with sponsors watching the whole time.
Multi-stage builds · Zoned activations · Multi-day service
Private concerts
A booked artist in a room that isn't a venue. Their engineer walks up expecting a real rig, a real desk, and a monitor world that matches the rider — not a corporate PA with a band plugged into it.
Rider compliance · Monitor world · Touring-standard desks
Studio lots & backlots
Standing sets, working stages next door, credentialed access, and rules about noise and load-in windows. We come in knowing the lot has a day job.
Credentialed crew · Restricted load-in · Sound containment
Hangars, estates & raw spaces
Beautiful empty buildings with terrible acoustics and no infrastructure. Everything gets built from nothing, and it has to look intentional by the time the first guest walks in.
Full build · Reverb management · Power planning
WHAT ARRIVES ON SITE
From doors to the last note.
This is the standard private event build. Multi-day festivals, booked talent, and multi-zone footprints scale from here — and anything beyond this list gets priced before we load the truck, never after the event.
Booking talent? Send the rider early. We'll come back with what we're providing, what we're substituting and why, and what their engineer needs to know — before anyone signs anything.
Working through an agency or producer? Most of this work comes to us that way. We take the production schedule, coordinate with lighting, video, and scenic, and stay off your critical path.
What the day actually looks like.
EVENT DAY
01 / Advance
Schedule and rider
Production schedule, site plan, talent rider, and zone list reviewed with your producer. Written scope back before anything ships.
02 / Load-in
Inside the window
Studio lots, estates, and venues all have a window and a rule set. We work to theirs — credentials, dock times, and noise limits handled in advance.
03 / Tune
Zones and spectrum
Every zone level-set and tuned, RF coordinated, and the performance system checked with the artist's engineer before guests are anywhere near the site.
04 / Guest hours
Techs stay with it
Someone rides the transitions from arrival to program to performance, and hands a working mic to whoever is speaking next. Spares staged, not stored.
05 / Strike
Quiet and clean
Struck to the venue's curfew without waking the neighborhood, site left the way we found it, floors and grounds included.
THE PEOPLE
The same techs who hang arenas work these events — which matters when a touring engineer walks up to the desk. But a private event isn't a show with an audience; it's a room full of guests. Our crews dress the part, stay out of the photographs, and keep what they see to themselves.
- Techs on site through the event, not a system dropped off
- Comfortable meeting touring riders and working under artist engineers
- Experienced with studio lots, estates, and credentialed access
- NDAs signed as a matter of course, discretion as a matter of habit
Concert crews who know when to be invisible.
NEXT STEP
Send the production schedule. We'll send back a real number.
Date, site, guest count, and whether there's talent booked. You'll hear back with a line-by-line scope — usually same day.